Starting with Rachel Manns’s photographs, I spend hours on my computer, working on the image in photoshop changing background detail,altering the tones and contrast, and cropping the image to create a new composition. Once I’m happy with the result I have my new file printed onto a transparency which I then take to the workshop to spend a day or two transferring the image onto copper. The photo etching process involves a light sensitive medium which is rolled onto the plate, hardened by heat, cooled, exposed to UV light (with the transparency in place), developed in sodium carbonate solution, etched in ferric chloride, aquatinted, and etched again. Then the printing begins – first experimenting with various inks, papers and wiping techniques to produce the desired result. I do the printing at my own studio in N4, listening to radio 4. Here are two of my prints at the proofing stage, with the original photographs for comparison.
Chisato arranged for two BSL interpreters to come and interpret during the practice and filming sessions. This is Sophie who was interpreting when Rachel Manns took the photographs. Natasha interpreted at the beginning and end of the week. It was great to be able to communicate properly with Chisato and she with me – on previous occasions when she had modelled for me we had communicated slowly by writing on a pad.