I have been enjoying working on the last two plates for the exhibition. I’ve been a bit more experimental. I had fun overlaying one image with lace. It seems to add privacy, mystery, femininity and does wonders for less than youthful skin all in one go. I think I will try this plate with lighter coloured inks too. It works in black but it may work better in a pastel shade.
Professional musician Hannah Ashman (who happens to be my daughter) has composed and recorded a piano composition for the soundtrack of the film. The piano is one of Hannah’s main instruments and so it was a natural choice for her. It also ties in well visually with the film as there is a rather beautiful grandpiano a corner of the dance studio where the filming took place.