Capturing Movement

Visited Studio 3 at the School of Art, University of Kent, Canterbury Campus today for Capturing Movement an exhibition which transforms contemporary dance into still art forms. I am showing my prints and artist’s book alongside Belinda Whiting’s atmospheric photographs, Blek le Rat’s graffiti style screen prints, Helen Dryden’s visceral paintings, Mary Fletcher’s sublime drawings and collages, Rachelle Allen-Sherwood’s exciting responses to live dance performances in ink, John Brown’s dynamic bronzes and Martha Todd’s delicate wax sculptures. With thanks to the MA Curators at the University of Kent.

Towards the Light

My artist’s book, Towards the Light, is now complete. I have made two of the 7 editions, and also constructed an archival box and a slip case to house the books when not being displayed. I’ve found the whole process enjoyable and engrossing and quite a change from my usual work. I’m pleased to have learned new skills and processes which could lead to some other book related or maybe some installation projects. Who knows?

Work in progress

I’ve reached an exciting stage of constructing my artist’s book from the printed pages. It’s  a process which requires dexterity and patience – assembling the pages with delicate hinges made from japanese paper and starch paste. No I’m not ironing the book – I’m using the iron as a weight.

Artist’s Book ‘In the Beginning’

I am working on an Artist’s Book for an upcoming exhibition, Capturing Movement: Art and Contemporary Dance, to be held at the University of Kent in September.  I have been invited to take part in the exhibition by curator, Camilla H.Eriksen. The book has a narrative based on a passage from the gospel of John. The model signed the passage and the pages will be in correct sequential order.

Finished Prints

Here are the first two finished photo etchings, each an edition of 20.  One is titled  Palm  to Palm, Juliet, Romeo and Juliet, Act One, Scene One. The other one is called The Bewildered World, Titania, A Midsummer Night’s Dream, Act Two, Scene One. They will be part of a collaborative  exhibition with the Globe Theatre and the RE and RWS, Shakespeare: A Celebration at the Bankside Gallery from the 30th June until the 10th July.

Nadia performs Titania

Yesterday, I had a wonderful time photographing and filming Shakespearean actor, Nadia Nadarajah with Zoe Hackett interpreting again. Nadia performed some of  Titania, from a Midsummer’s Night Dream, which she has played with the theatre company Definitely Theatre at the Globe in 2012 and 2014. She explained that Shakespeare is ideally suited to the Deaf language because of the visual metaphors he uses

More Shakespeare

Had a very rewarding photo shoot a couple of weeks ago with the talented deaf actress Zoe McWhinney assisted by BSL interpreter Zoe Hackett. We convened at the Siobhan Davies Dance studios in Southwark, on a beautiful sunlit morning.McWhinney performed three Shakespearean extracts from the roles of Juliet, Cordelia and Miranda. I’m taking time to sift through all the photos before deciding which ones to work on with photo montage to take through into photo etching.

Shakespeare series

portia oneThe Idea

2016 commemorates 400 years since the death of Shakespeare giving rise to a whole host of special exhibitions and events throughout the country. The Bankside Gallery will be showing an exhibition of Shakespeare inspired prints in June made by members of the RE, (the Royal Society of Painter Printmakers).

This subject appeals to me and I  decided at the beginning of the year to make a series of prints using deaf actors or models performing extracts of Shakespeare roles.

My first model was Phyllisha Johnson, a partially hearing lady who takes part in church worship, sometimes using BSL and SignDance. I asked Phyllisha to sign one of Portia’s speeches from the Merchant of Venice. Portia assumes the role of a lawyer’s apprentice to deliver this speech and dresses accordingly.

“The quality of mercy is not strain’d, It droppeth as the gentle rain from heaven Upon the place beneath; it is twice blest, It blesseth him that gives, and him that takes………’

I hired a tudor woman’s costume to photograph, to add to the image, to represent Portia’s hidden identity. I’ve had fun arranging the costume in various ways……..

and trying various ideas for incorporating all the different elements…………portia backdrop with Felicia with drawing

portia backdrop